Jane Eyre Casts A Spell

And…the temperature of my Fassbender Fever continues to rise.  In the most recent adaptation of Charlotte Brontë’s classic novel, director Cary Fukunaga is blessed to have the ever-impressive Michael Fassbender playing the charismatic ~ and enigmatic ~ Mr. Rochester alongside the equally talented Mia Wasikowska (The Kids Are All Right) as the title character.  Both actors are more than up to the task of portraying these classic literary characters in this bewitching rendering of the gothic mystery/romance.

In the interest of full disclosure, I must admit (not without a modicum of shame), that I have never read Jane Eyre, nor do I recall seeing any of the umpteen film or television adaptations that have been produced of it over the years.  So this was my very first introduction to the well-known work…which I’ll admit probably helped rather than hurt my experience of it.  Granted, making the acquaintance of Mr. Rochester in the form of the magnetic Michael Fassbender did nothing to harm it, either.  But again, just as in my review of Fish Tank, I sincerely believe I am capable of distinguishing between my love for Fassbender and the true quality of a film ~ and this is a beautifully done picture in every sense.

I was swept away by the film, nearly forgetting I was watching performances, a particularly impressive feat when it comes to period pieces, when one must adjust to the more formal language of the time.  The majestic English landscapes (both lush and barren) gorgeously evoke the sweeping emotions of the narrative, especially those of the wonderfully rich character of Jane.  Save for the flashbacks of her as a child, Wasikowska is in virtually every scene of the film.  She is superb as the restrained Jane, more often than not conveying her thoughts and feelings through the most subtle of facial expressions and body language.  Jane is a remarkably strong, honorable and admirably self-respecting young woman ~ it is impossible not to root for her or to feel her pain, joys and sorrows.  It’s not often in a period piece one has the opportunity to see such an independent female character, one who is left to fend for herself from a young age…all of which underscores the desire to see her find true happiness.

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